jueves, 27 de noviembre de 2008
Resident Evil: Degeneration
Nuevo Trailer de Wolverine 12 de Diciembre
miércoles, 26 de noviembre de 2008
The Spirit: TV Spot
Estudio: Lionsgate
Guion: Frank Miller
Director: Frank Miller
Sitio Oficial: http://lionsgate.com/thespirit
TV Spot
viernes, 21 de noviembre de 2008
The Watchmen: Nuevo Trailer
La acción de Watchmen se desarrolla en el año 1985, en el marco de una ucronía en la que los Estados Unidos están a punto de entrar en una guerra nuclear con la Unión Soviética. En este escenario, se relata la historia de un grupo de superhéroes del pasado y del presente y los hechos que rodean el misterioso asesinato de uno de ellos. Watchmen presenta a los superhéroes como gente corriente que debe enfrentarse a sus propios conflictos éticos y a sus problemas personales, que lucha contra sus trastornos y fracasos y que, con la notable excepción del Doctor Manhattan, carecen por completo de superpoderes. La deconstrucción que la obra realiza del arquetipo convencional del superhéroe, combinado con el innovador uso de técnicas cinemáticas, de abundante simbolismo y de la metaficción, han ejercido una importante influencia sobre cómics y películas posteriores.
La saga de Bourne continua en su cuarta parte
Gus Van Sant: Milk
Obviamente la interpretación de Sean Penn le dará otra nominacion a la entrega de los oscars. El resto del elenco incluye a James Franco y Diego Luna, como dos de los amantes que tuvo el protagonista durante su campaña politica.
A continuación les dejo una entrevista en ingles al director:
ComingSoon.net: Recently, you seem to have been going more towards the indie and experimental route. Was it just the material that got you back doing more a studio movie
Gus Van Sant: Well, there wasn't anything in particular. I always wanted to make a film about Harvey, and this script just sort of appeared, and the script itself presented somewhat of a style, just by the way it was written, that didn't suggest... a lot of the films like "Gerry," "Elephant," "Last Days" and "Paranoid Park" were written in a certain way to be filmed in the way they were filmed. This was a pretty traditional 100-page script, like 120 scenes, and just by the virtue of the number of scenes, you start to have a pacing that's more convention.
CS: You did have your actors doing quite a lot of improv on some of your other films so was there room to do any of that here?
Van Sant: Yeah, we could have improv-ed and we did, a teeny bit, but I think the period and the political nature of the dialogue was confining in a way that the type of improv that would be occurring was hard to keep it within the period, unless you had a pretty good knowledge of the period politics. We did have daily papers that pertained to the day, but in the end, we were just lucky to get the stuff filmed that we needed to present the screenplay. We didn't really go off into areas like that so much on this film.
Van Sant: Yeah, we could have improv-ed and we did, a teeny bit, but I think the period and the political nature of the dialogue was confining in a way that the type of improv that would be occurring was hard to keep it within the period, unless you had a pretty good knowledge of the period politics. We did have daily papers that pertained to the day, but in the end, we were just lucky to get the stuff filmed that we needed to present the screenplay. We didn't really go off into areas like that so much on this film.
CS: I don't know how old you are, but I know you've moved around a lot in your life. Back in the ‘70s when Harvey Milk was making waves in San Francisco, was it felt wherever you were and were you aware of what was going on there? What was your connection to him before getting interested in making a movie in '93?
Van Sant: I had seen the documentary, "The Times of Harvey Milk," I think that was my sole information. I haven't read Randy Schultz's book, although that predated the documentary. I knew some things about Harvey. I first heard about him when he was shot. I didn't know about him when he was running for supervisor. I didn't live in San Francisco, I lived in L.A., and I wasn't an out gay kid. I was not really connected to the gay community, and was just unaware.
CS: At what point did Sean Penn get involved? Was he circling around the project over the last 15 years wanting to do it?
Van Sant: I had talked to him in the '90s about playing Harvey, in '98 I think I talked to him about it, but then it wasn't until now that I was actually making the film, so we brought up the idea again. Now he's more the right age.
jueves, 20 de noviembre de 2008
Otra nueva entrega de X-Men ya tiene Guionista
El estudio tiene en mente utilizar parte de los personajes adolescentes que fueron presentados en los previos films, ya sean Iceman, Rogue, Angel, Colossus, Jubilee o Shadowcat.
Lauren Shuler Donner, quien produjo la trilogia de X-Men, y también la proxima pelicula basada en Guepardo, X-Men Origins Wolverine; producira First Class junto a Simon Kinberg (Señor y Señora Smith).
miércoles, 19 de noviembre de 2008
Let the Right one In: Nuevo film sueco de vampiros
Título: Let the Right One In
Título original: Lat den ratte komma in
País: Suecia
Estreno en USA: 24/10/2008
Director: Tomas Alfredson
Guión: John Ajvide Lindqvist
Reparto: Kare Hedebrant, Lina Leandersson, Per Ragnar, Henrik Dahl, Karin Bergquist
Aterrorizado por un grupo de matones, Oskar es un chico solitario de 12 años se hará amigo de una nueva vecina: una misteriosa chica cuya llegada ha coincidido con una serie de misteriosas muertes y asesinatos. A pesar de que Oskar piensa que ella es un vampiro, tratará de que su amistad sea mayor que su miedo.
Trailer sin censuras
Quictime: Trailer
Youtube: